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Parul Kapur Hinzen is a fiction writer and journalist whose critical writing has appeared in The New Yorker.Then I realized that Vishnu dreads working with his hands because he fears it will bind him metaphorically to the servitude of his Indian ancestors on Mauritian sugar estates.

where Vishnus father and mother pass by a coffin shop and his mother asks his father if he wants to be buried in a dhoti.INTERVIEWERYouve also done something playful and inventive by inserting a poem between each of the chapters.What did you intend to express about the family through these various conflicts?BUSJEETI wanted to explore gender roles.

the Franco-Mauritians and others who owned the plantations replaced enslaved people with indentured laborers from India.INTERVIEWERHow did you find your way back imaginatively to your childhood? What was involved in resurrecting that past? You were writing from a distance of ten thousand miles and half a century.

That led me to think about Mauritian society and the relationships among the various groups in the fifties.

Was it your intention to soften the harshness of your characters experiences with a sense of whimsy?BUSJEETMaybe it enables you to deal with such darkness.if you dont have FaceTimeFor Privacy: Signal or ViberFor Work: Slack.

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